Sindrome di Standa, by Tito Machete

Sindrome di Standa

by Tito Machete

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CrystylWyzzyrd This is fantastic! <3

great album love it. Favorite track: Scarpe coi tacchi.

vaavsocialclub todo el álbum en general está muy sabroso y disfrutable, me encantan los trabajos de Tito Machete machin! Favorite track: Uber Driver 1991.

Tokyo I feel nostalgia of my childhood. My favourite track is There's no place like home.

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Fiat Ritmo edition cassette
Cassette + Digital Album
Real-time dubbed 50 minute cassette. Limited edition of 20.

Includes unlimited streaming of Sindrome di Standa via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Monkey Clapping 04:09	buy track
2.	There's no place like home 06:22	buy track
3.	Black Cherry 03:13	buy track
4.	Scarpe coi tacchi 03:22	buy track
5.	Fiat Ritmo 04:00	buy track
6.	Vienntta 03:26	buy track
7.	Kamurocho Kyabakura Bar 02:22	buy track
8.	Ladra si Cuori 03:37	buy track
9.	Nacre Floor 06:16	buy track
10.	Cristiano Gardini 06:32	buy track
11.	Uber Driver 1991 03:55	buy track

about

Quando uscivo a fare una passeggiata da bambino, spesso si andava a camminare per il viale.
Il tragitto spesso si ripeteva: la strada di casa, la traversa con i negozi, il viale grande, la passeggiata al parco, un paio di giri sulle giostre, correre appresso ai piccioni, quindi il grande magazzino d'abbigliamento Standa.
Multipiano, a quello sotterraneo trovavi intimo e biancheria per la casa, al primo abbigliamento donna, al primo abbigliamento uomo, al piano superiore abbigliamento per bambini ed i tanto ambiti giocattoli.
Tra i camerini grigi con gli enormi specchi snellenti, il pavimento marmoreo di madreperla e gli stendini con appesi gli utensili per il trucco, ogni volta ci si spendevano almeno un paio d'ore, specialmente a giocare con le divertentissime scale mobili.
Quindi si tornava sulla strada di casa, si comprava il giornale, si passava dal fornaio, ed un'altra mattinata insignificante ma di cui oggi ti ricordi perfettamente e di cui hai nostalgia era passata.
Non era niente di speciale, era l'eccesso della standardizzazione, dall'abbigliamento ai comportamenti, le chiacchiere di circostanza e la moda che dettava colori sobri e tenui, tanto poi ci avrebbe pensato l'accessorio a rendere speciale quel look, musica distratta in filodiffusione, cucina casalinga con condimento in eccesso, ed una preoccupazione per il futuro ben nascosta da elegante maschera di speranza e fiducia.
Un insieme di piccole cose normali che però tutte insieme formavano una magia da celebrare, una capitalistica magnificenza di cui rimanere patologicamente meravigliati, quasi fino allo sfinimento.

When I went out for a walk as a child, we often went for a walk down the boulevard.
The journey often repeated itself: the road home, the street with the shops, the large avenue, the walk to the park, a couple of rides on the rides, running after the pigeons, then the Standa's clothing department.
Multi-storey, in the underground floor you could find underwear and household linen, on the ground floor clothing for women, on the first clothing for men, upstairs clothing for children and the much sought-after toys.
Between the gray dressing rooms with the huge slimming mirrors, the nacre marble floor and the drying racks with hanging make-up utensils, every time we spent at least a couple of hours, especially playing with the hilarious escalators.
So we went back on the way home, bought the newspaper, went to the baker, and another insignificant morning which you remember perfectly today and which you miss was over.
It was nothing special, it was the excess of standardization, from clothing to behavior, the circumstance's chat and fashion that dictated sober and soft colors because the accessory would have thought of it to make that look special, distracted music in piped music, home cooking with exceding seasoning, and a concern for the future well hidden by an elegant mask of hope and trust.
Small normal things that, however, all together formed a magic to be celebrated, a capitalistic magnificence to be pathologically amazed at, almost to exhaustion.

credits

released February 2, 2021

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